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A body much larger than most other guitars provided the dreadnought with a bolder, perhaps richer, and often louder tone. It is distinguished by its size and (in its most popular configuration) square shoulders and bottom. The neck is usually attached to the body at the 14th fret. [1] [3] Martin dreadnought guitars are known as "D-size" guitars.
An acoustic guitar with pickups for electrical amplification is called an acoustic-electric guitar. In the 2000s, manufacturers introduced new types of pickups to try to amplify the full sound of these instruments. This includes body sensors, and systems that include an internal microphone along with body sensors or under-the-saddle pickups.
Generally regarded as Gibson's most famous and widely used acoustic guitar model, it is considered the workhorse of guitars. The Jumbo guitar is signified by the "J" and not to be confused with C.F. Martin & Company's Dreadnought body style. In 1934 the jumbo was Gibson's competing response to Martin's "D" line body shape of 1930s. The jumbo is ...
The Gibson J-160E is one of the first acoustic-electric guitars produced by the Gibson Guitar Corporation. The J-160E was Gibson's second attempt at creating an acoustic-electric guitar (the first being the small-body CF-100E [2]). The basic concept behind the guitar was to fit a single-pickup into a normal-size dreadnought acoustic guitar.
Archtop guitars often have Curly maple or Quilted maple backs. Full-sized archtops are among the largest guitars ever made, with the width of the lower bout in some cases approaching 19 inches (47 cm). The original acoustic archtop guitars were designed to enhance volume, so they were constructed for use with relatively heavy strings.
The scale-size for the smaller guitars is usually in the range 484–578 mm (19.1–22.8 in), with an instrument length of 785–915 mm (30.9–36.0 in). Full-size instruments are sometimes referred to as 4/4, while the smaller sizes are 3/4, 1/2, 1/4, and even as small as 1/8 for very small children.
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While Kurt Cobain of Nirvana is popularly believed to have used an Epiphone Texan on the 1994 In Utero tour, he played an Epiphone FT-79 made between 1949 and 1955, before CMI/Gibson acquired the company and re-used the model number.