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The origin of the word crewel is unknown but is thought to come from an ancient word describing the curl in the staple, the single hair of the wool. [5] The word crewel in the 1700s meant worsted, a wool yarn with twist, and thus crewel embroidery was not identified with particular styles of designs, but rather was embroidery with the use of this wool thread.
Jacobean embroidery refers to embroidery styles that flourished in the reign of King James I of England in first quarter of the 17th century. The term is usually used today to describe a form of crewel embroidery used for furnishing characterized by fanciful plant and animal shapes worked in a variety of stitches with two-ply wool yarn on linen .
It was inspired by the crewel embroidery of 18th-century women who had lived in the Deerfield, Massachusetts, area. Members of the Blue and White Society initially used the patterns and stitches from these earlier works, but because these new embroideries were not meant to replicate the earlier works, the embroidery soon deviated from the ...
The tapestry is worked in crewel embroidery using woollen yarns on a handwoven woollen background. In addition to using four historic and well-known stitches ( split stitch , stem stitch , chain stitch and Peking knot), Wynn-Wilson invented a new corded stitch, known as Quaker stitch, to allow for tight curves on the lettering.
Mary Linwood (1755–1845) was an English needle woman who exhibited her worsted embroidery or crewel embroidery in Leicester and London and was the school mistress of a private school. In the 20th century, Mary Linwood Comprehensive School was named in her honour. In 1790, she received a medal from the Society of Arts.
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