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Type design is the art and process of designing typefaces. This involves drawing each letterform using a consistent style. The basic concepts and design variables are described below.
Calligraphy artist Hassan Massoudy called Arabic calligraphy and graffiti "two daughters of the same parents" because of their interrelationship. He notes that "Obviously [calligraphy and graffiti] both are about the use of letters and their alphabets, and their center of gravity is the beauty of writing.
A revolving type case for wooden type in China, an illustration shown in a book published in 1313 by Wang Zhen Korean movable type from 1377 used for the Jikji. Although typically applied to printed, published, broadcast, and reproduced materials in contemporary times, all words, letters, symbols, and numbers written alongside the earliest naturalistic drawings by humans may be called typography.
Gravura, a script typeface designed by Phill Grimshaw in 1995. Grimshaw was born on 1 February 1950 in Bolton.He studied art at Bolton College, where he was taught by the typographer Tony Forster, with whom he would later become close friends.
These changes created a greater consistency in size and form, influenced by the calligraphy Baskerville had learned and taught as a young man. [9] Baskerville's typefaces remain very popular in book design and there are many modern revivals, which often add features such as bold type which did not exist in Baskerville's time. [10]
Typography, type-founding, and typeface design began as closely related crafts in mid-15th-century Europe with the introduction of movable type printing at the junction of the medieval era and the Renaissance. Handwritten letterforms of the mid-15th century calligraphy were the natural models for letterforms in systematized typography. [1]