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Palace of Fontainebleau (/ ˈ f ɒ n t ɪ n b l oʊ / FON-tin-bloh, US also /-b l uː /-bloo; [1] French: Château de Fontainebleau [ʃɑto d(ə) fɔ̃tɛnblo]), located 55 kilometers (34 miles) southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux.
The Chinese Museum or musée chinois is a section of the Palace of Fontainebleau that keeps artifacts from Qing dynasty China, the Kingdom of Siam, and other Asian countries, including diplomatic gifts and plunder from the Second Opium War. Opened in 1863 by Empress Eugénie, it is one of the world's oldest museums specifically dedicated to ...
Paris Louvre Palace Luxembourg Palace Château de Bagatelle Château de Bagnolet Ruined Bastille Ruined Conciergerie Accessible Louvre Palace Accessible Palais du Luxembourg Accessible Château de Madrid Ruined Château de la Muette Palais-Royal Accessible Château de Reuilly Ruined Maison du Temple Ruined Château de la Tournelle Ruined Palais des Tuileries Ruined Seine-et-Marne Château de ...
Fontainebleau (/ ˈ f ɒ n t ɛ n b l oʊ / FON-ten-bloh, US also /-b l uː /-bloo, French: [fɔ̃tɛnblo] ⓘ) [3] is a commune in the metropolitan area of Paris, France.It is located 55.5 kilometres (34.5 mi) south-southeast of the centre of Paris.
Le Breton's Porte Dorée at Fontainebleau (1528–1540) Gilles Le Breton (died 1553) was a French architect and master-mason during the Renaissance. He is best known as the mastermind of much of the present-day Château de Fontainebleau. In 1526, Le Breton was working at the Château de Chambord under Pierre Nepveu.
Philippe Millereau (c. 1570–1610) was a French Mannerist painter of the late 16th and early 17th centuries, active during the reign of Henri IV, and assimilated to the Second School of Fontainebleau, of which he remained a relatively minor figure; he was clearly influenced by Toussaint Dubreuil, but also by Italian artists such as Nicolò dell'Abbate, and Flemish painters.
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