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Miming in instrumental performance or finger-synching is the act of musicians pretending to play their instruments in a live show, audiovisual recording or broadcast. Miming in instrument playing is the musical instrument equivalent of lip-syncing in singing performances, the action of pretending to sing while a prerecorded track of the singing is sounding over a PA system or on a TV broadcast ...
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Backing tracks can be as simple as a single prerecorded instrument, such as a recording of a pipe organ, which is impossible to move onstage, to string section recordings done in the studio, to full rhythm section recordings with bass, guitar, keyboards and drums. Some backing tracks also include backup vocals. An offstage technician or audio ...
Click tracks are especially useful to modern "one man bands" who may use a multi-track audio editor to perform all or many of the different parts of a recording separately. Click tracks can also aid live bands that want to synchronize a live performance with things like prerecorded backing tracks, pyrotechnics and stage lighting. [1]
A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used in a broad range of popular music, traditional music, and world music styles.
He toured with the group until their split in 1996, playing keyboards, saxophone and guitar as well as providing backing vocals. [3] His work with Take That made him an in-demand musical director for other touring pop groups; he subsequently directed Eurythmics, Mika, Sugababes, James Morrison, Will Young, Geri Halliwell, Boyzone, B*Witched ...
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
"Nothing's Gonna Change My Love for You" (backing vocals) Chicago - Chicago 17 "We Can Stop the Hurting" (backing vocals) Julio Iglesias - 1100 Bel Air Place "Moonlight Lady" (backing vocals) Fee Waybill - Read My Lips "Who Loves You Baby" (backing vocals) Peabo Bryson - Straight from the Heart. If Ever You're in My Arms Again (backing vocals)
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