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Bahasa Indonesia: Penari Jathil, salah satu tokoh dari Reog Ponorogo dan merupakan jenis tarian kuda lumping. Kuda Lumping adalah salah satu kesenian tradisional Jawa yang menggambarkan sekelompok prajurit penunggang kuda. Selain menyuguhkan gerak tari, tarian ini juga terdapat unsur magis karena ada beberapa ritual yang di lakukan dalam tarian ...
Reog is one of the performing arts from the northwestern region of East Java and Ponorogo is the region where Reog originated. The city gate of Ponorogo is decorated with warok and gemblak, two characters who were present at the time when Reog is performed. Reog is one of Indonesia culture that is still very strong with mystical elements and ...
Kuda Lumping (Javanese: ꦗꦫꦤ꧀ꦏꦺꦥꦁ, Jaran Kepang or Jathilan, Indonesian: Kuda Lumping or Kuda Kepang, English: Flat Horse) is a traditional Javanese dance originated from Ponorogo, East Java, Indonesia depicting a group of horsemen. Dancers "ride" horses made from woven bamboo and decorated with colorful paints and cloth.
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Ponorogo town, generally considered the birthplace of Reog, is also known by the names City (of) Reog and City (of) Rasta. Each year in the Islamic month of Muharram, Ponorogo holds a celebration known as Grebeg Suro, "the party of the people". Grebeg Suro involves many traditional events such as the National Reog Festival, the Heritage ...
Sisingaan was inspired by the Reog series in East Java, which tells of the joy of the journey of King Singa Barong's bodyguards from the kingdom of Lodaya to the Daha kingdom. Even though the king was known to be cruel and arrogant, the guards were always loyal to carry the litter that King Singa Barong slept with.
Rama and Shinta in Ramayana Ballet performance near Prambanan temple complex Golek Ayun-ayun, a Javanese court dance of Yogyakarta. The courtly Javanese palace dance is the type of dances that developed, nurtured and fostered by Javanese Kratons, mainly Yogyakarta Sultanate and Surakarta Sunanate, the patrons of Javanese Mataram culture.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...