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F-sharp minor is sometimes used as the parallel minor of G-flat major, especially since G-flat major's real parallel minor, G-flat minor, would have nine flats including two double-flats. For example, in the middle section of his seventh Humoresque in G-flat major , Antonín Dvořák switches from G-flat major to F-sharp minor for the middle ...
F-sharp major is the key of the minuets in Haydn's "Farewell" Symphony and of the String Quartet No. 5 from his Op. 76, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's "Va, pensiero" from Nabucco, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata.
F-Sharp Tuning: F ♯-A ♯-C ♯-F ♯-C ... Though chords can easily and more fully be played from this tuning, it sometimes results in awkward inversions, ...
To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding minor thirds and especially major thirds, [64] which are slightly sharp in equal temperament tuning (in comparison to thirds in just intonation). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths ...
D/F ♯ is a D chord with F ♯ in the bass, and; A/C ♯ is an A chord with C ♯ in the bass. Slash chords generally do not indicate a simple inversion (which is usually left to the chord player's discretion anyway), especially considering that the specified bass note may not be part of the chord to play on top.
The F major chord is the same shape as E major but it is located one fret further up the fretboard. ... [106] which are sharp in equal temperament tuning ...
During the dominant chord, a seventh above the dominant may be added to create a dominant seventh chord (V 7); the dominant chord may also be preceded by a cadential 6 4 chord . The Harvard Concise Dictionary of Music and Musicians says, "This cadence is a microcosm of the tonal system, and is the most direct means of establishing a pitch as tonic.
An F double sharp is a whole step above an F, ... F, and G major chords are just major chords (4:5:6) and accidentals create just tuning in other keys.