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The Baptism of the Eunuch is a 1626 painting by the Dutch artist Rembrandt van Rijn, owned by the Museum Catharijneconvent in Utrecht since 1976. It shows Philip the Evangelist baptising an Ethiopian man, a eunuch, on the road from Jerusalem to Gaza, traditionally marking the start of the Ethiopian Church (Acts 8:26–39).
Ethiopian" was a Greek term for black-skinned peoples generally, often applied to Kush (which was well known to the Hebrews and often mentioned in the Hebrew Bible). The eunuch was not from the land today known as Ethiopia, which corresponds to the ancient Kingdom of Aksum , which conquered Kush in the fourth century.
He preached and performed miracles in Samaria, and met and baptised an Ethiopian man, a eunuch, on the road from Jerusalem to Gaza, traditionally marking the start of the Ethiopian Church (Acts 8:26–39). Later, Philip lived in Caesarea Maritima with his four daughters who prophesied, where he was visited by Paul the Apostle (Acts 21:8–9).
The writer of Acts introduces Saul, later the Apostle Paul, as an active witness of Stephen's death in Acts 7:58, and confirmed his approval in Acts 8:1a. Reuben Torrey, in his Treasury of Scripture Knowledge, suggests that this clause [i.e. verse 8:1a] "evidently belongs to the conclusion of the previous chapter".
A group was created in 1966 called The Ethiopian Wildlife and Natural History Society, which focuses on studying and promoting the natural environments of Ethiopia along with spreading the knowledge they acquire, and supporting legislation to protect environmental resources.
Jean-Baptiste Philip (1796 – 1829), sometimes spelled "Phillipe," was a Trinidad-born doctor and the leader of an activist group formed in Trinidad in 1823, which fought against the racist attitudes of colonial authorities through letters and petitions. [1]
Thus, he posits that Ibn Hawqal's "strange report of the Banu Tanamak", who changed from black to white, may have echoed "a real event, the absorption of tribes". [10] Robert Brown likewise argues that "the "white" Berbers referred to may be only survivals of the original stock now reduced to duskiness by the infusion of Arab and Sudanic blood ...
According to Richard L. Hunter, . The Emesenes were a culturally complex group, including Arab, Phoenician and Greek elements, and, since the third century at any rate, having a connection with the Roman imperial household (the empress Julia Domna was from Emesa, as was the cult of Elagabal which inspired the emperor Heliogabalus).