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Studio 1 bears the All Saints' signature sound, a blend of pop, hip hop, R&B and a bit of rock. [8] "Hell No" was penned by Shaznay Lewis and Karl "K-Gee" Gordon. "Tell me who's that bitch I see climbing out your window", they sing. [11] "Too Nasty" is a "wayward" reggae song about indignation. [12]
"Black and Gold" was made available as a digital download on 31 March 2008 as the lead single from Sam Sparro. [4] It was released by Island UK Records through a licensing deal with independent Los Angeles based label, Modus Vivendi Music, owned and operated by Jesse Rogg, who also produced and co-wrote the song with Sparro.
The discography of Australian rock group The Saints consists of fourteen studio albums, seventeen singles, six EPs, two live albums and ten compilation albums. The Saints began in 1974 as punk rockers and released their first single, " (I'm) Stranded ", in September 1976 on their own Fatal Records label.
"Black Gold" is a 1993 single performed by Minneapolis rock band Soul Asylum. The song was written by Soul Asylum's lead singer Dave Pirner. It was the second single from their album Grave Dancers Union. The music video for the song was directed by American filmmaker Zack Snyder, who also directed the "Somebody to Shove" videoclip.
YouTube Studio offers features for creators to manage their own channels, including a dashboard for news and personal notifications, [7] [8] general management of one's own videos on the platform, [9] channel analytics, [10] monetization and copyright management, [11] [12] and other resources and tools for channel customization. [13] [14] [15] [16]
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The album received mixed reviews from music critics, praising the singles and the new direction of music, while some felt it was too similar to the Spice Girls and Madonna's album Ray of Light. Three singles were released from the album: "Pure Shores", "Black Coffee" and "All Hooked Up". Promo copies of the track "Surrender" began circulating ...
Some consider Black Gold to be the "holy grail" of Hendrix collectibles. [1] The themed songs, plus the label markings and conventions used by Hendrix to identify the tapes, led fans to believe that this demo represents a proposed fifth studio album, and predicted that the material will reveal the broadest extensions of Hendrix's intended ...