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  2. Transfer technique (drawing) - Wikipedia

    en.wikipedia.org/wiki/Transfer_technique_(drawing)

    For the drawing Eve ('The Nightmare'), Gauguin started by coating a sheet of paper with printers ink, then placing a blank sheet on top which becomes the artwork. [5] Markings made with various drawing instruments to create an artwork on one side of the sheet, also transfer the printers ink to the back side of the sheet.

  3. Pouncing - Wikipedia

    en.wikipedia.org/wiki/Pouncing

    The most common method involves laying semi-transparent paper over the original image, then tracing along the lines of the image by creating pricked marks on the top sheet of paper. This pounced drawing made of pricked holes is laid over a new working surface.

  4. Transfer paper - Wikipedia

    en.wikipedia.org/wiki/Transfer_paper

    Transfer paper is a thin piece of paper coated with wax and pigment. Often, an ink-jet or other printer is used to print the image on the transfer paper. A heat press can transfer the image onto clothing, canvas, or other surface. Transfer paper is used in creating iron-ons. Transfer papers can also be used for the application of rhinestones to ...

  5. List of art techniques - Wikipedia

    en.wikipedia.org/wiki/List_of_art_techniques

    a Collage by Pablo Picasso cut and pasted colored paper, gouache and charcoal on paperboard. Camaïeu technique; ... Texture (painting) Transfer technique (drawing)

  6. Monotyping - Wikipedia

    en.wikipedia.org/wiki/Monotyping

    Mythological scene with Apollo, Fame, and the Muses by Antoon Sallaert. Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass.

  7. Transfer of panel paintings - Wikipedia

    en.wikipedia.org/wiki/Transfer_of_panel_paintings

    The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...