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In June, 1917, only two months after the United States declared war on Germany, Stieglitz closed 291. He made a photograph called The Last Days of 291 (National Gallery of Art, Alfred Stieglitz Collection) which symbolized his feelings at the time. It depicts a model of a young soldier, armed with a sword and a broom, protecting works of art ...
From the Back Window – 291 (1915) by Alfred Stieglitz. From the Back Window – 291 is a black and white photograph taken by Alfred Stieglitz in 1915. The picture was taken at night from a back window of his 291 gallery in New York. Its one of the several that he took that year from that window, including at a snowy Winter. [1]
Alfred Stieglitz HonFRPS (/ ˈ s t iː ɡ l ɪ t s /; January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form.
Alfred Stieglitz was one of the most active arts promoters in the world in the early 1910s. He was already famous for his own photography, he published the well-known magazine Camera Work and he ran the progressive art gallery 291 in New York.
English: Elsa von Freytag-Loringhoven, 1917, Fountain, photograph by Alfred Stieglitz at the 291 (Art Gallery) following the 1917 Society of Independent Artists exhibit, with entry tag visible. The backdrop is The Warriors by Marsden Hartley.
Mar. 3—From the color blasts of a mid-century road trip to a serene portrait by the legendary Alfred Stieglitz, the New Mexico Museum of Art is showcasing a collage of photography. "Ways of ...
This version was published in the 291 magazine in 1915. The Steerage is a black and white photograph taken by Alfred Stieglitz in 1907. It has been hailed by some critics as one of the greatest photographs of all time because it captures in a single image both a formative document of its time and one of the first works of artistic modernism .
Hodge Kirnon (13 May 1891 - November 1962) [1] [2] was a Montserratian scholar, historian, and literary critic, [3] who also worked as an elevator operator at Alfred Stieglitz' gallery 291. [4] [5] He has been described as "one of the leading lights of the postwar Negro Renaissance" [2] and as Montserrat's first historian. [3]