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Otto Lund emigrated from Denmark in 1947. He was a pattern designer by trade and prior to his employment at Gladding, McBean & Co. he was the former director of Castleton China's design and decorating department. Lund's mastery was in the painting of flora and fauna, and he used this mastery in designing patterns for the Franciscan fine china ...
In 1801 he began making glass, and by 1805 he was making porcelain and stone china as well. [2] By September 1806 the quality of his porcelain wares was such that the Prince of Wales, later to become King George IV, ordered services of the finest and most valuable kinds. [3] John retired in 1830 and his sons, William and Henry, carried on the firm.
Specific patterns such as tobacco leaf and faux tobacco leaf were popular as were, from around 1800, Canton decorated porcelain with its figures and birds, flowers and insects. [22] Many other types of decoration such as encre de chine or Jesuit wares, made for Christian missionaries. One significant and diverse group of export wares is those ...
A group of over 15 kilns at the village of Qingliangsi, Baofeng County, Henan have been identified as the site manufacturing Ru ware. They were first identified in 1950, [24] and in 1977 the ceramic art historian Ye Zhemin found a sherd on the site which when analysed proved identical to a Ru ware sample in Beijing. [25]
Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage. Pair of famille rose vases with landscapes of the four seasons, 1760–1795. Most later Chinese ceramics, even of the finest quality, were made on an industrial scale, thus few names of individual potters were recorded.
In the 19th century, J. & G. Meakin was known for the vast quantities of cheap ironstone china it produced for the domestic English market and for export to Australia, Canada, New Zealand and the United States. From around 1970, designs included Liberty, Sterling, Trend, Classic and Heirloom. Some of these were influenced from earlier designs.
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Stoneware jug celebrating the Eglinton Tournament of 1839. From 1808 porcelain, that is to say bone china, was produced, in a great profusion of patterns, for which many of the pattern books survive. The styles are typical for the period, with many flowers, landscapes, and some modified Neoclassical and Chinese (or "Anglo-oriental") treatments.