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Dürer was born on 21 May 1471, the third child and second son of Albrecht Dürer the Elder and Barbara Holper, who married in 1467. [5] [6] Albrecht Dürer the Elder (originally Albrecht Ajtósi) was a successful goldsmith who by 1455 had moved to Nuremberg from Ajtós, near Gyula in Hungary. [7]
The Four Apostles by is a Renaissance style diptych painting created by Albrecht Dürer in 1526. [1] This work, which includes two oil-on-panel paintings, depicts four prominent figures of Christianity: Saints John, Peter, Mark, and Paul.
Dürer's Rhinoceros is the name commonly given to a woodcut executed by German artist Albrecht Dürer in 1515. [a] Dürer never saw the actual rhinoceros, which was the first living example seen in Europe since Roman times.
Considering the 15 woodcuts, The Four Horsemen of the Apocalypse (c. 1497–98), [7] referring to Revelation 6:1–8, [8] is often viewed as the most famous piece. The overall layout of the cycle has the illustrations on the recto (right) and the text on the following verso (left). This would suggest the importance of illustration over text.
Adam and Eve, 1504, engraving with burin on copper, 25.1 x 19.8 cm Adam and Eve, 1507, oil on wood panel, 208 x 91 cm per panel. Museo del Prado.. Adam and Eve is the title of two famous works in different media by Albrecht Dürer, a German artist of the Northern Renaissance: an engraving made in 1504, and a pair of oil-on-panel paintings completed in 1507.
Melencolia I is a large 1514 engraving by the German Renaissance artist Albrecht Dürer.Its central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia – melancholy.
Albrecht Dürer, Adoration of the Magi. 1504. 99 × 113.5 cm. Oil on wood. Uffizi, Florence. The Adoration of the Magi is a panel painting by Albrecht Dürer (1471-1528), produced under commission by Frederick the Wise for the altar of the Schlosskirche in Wittenberg. It is considered one of Dürer's best and most important works from the ...
Self-Portrait (or Self-Portrait at Twenty-Eight) is a panel painting by the German Renaissance artist Albrecht Dürer. Completed early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. Art historians consider it the most personal, iconic and complex of these. [1]