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Zerlina follows the jealous Masetto and tries to pacify him ("Batti, batti o bel Masetto" – "Beat, O beat me, handsome Masetto"), but just as she manages to persuade him of her innocence, Don Giovanni's voice from offstage startles and frightens her. Masetto hides, resolving to see for himself what Zerlina will do when Don Giovanni arrives.
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Mozart marks "cello obligato" in Don Giovanni in Zerlina's aria "Batti, batti, o bel Masetto ". Beethoven's duo for viola and cello, WoO 32, is subtitled mit zwei obligaten Augengläsern (with two [pairs of] obbligato eyeglasses) which seems to refer to the necessity, at the first performance, of spectacles for both Beethoven and his cellist.
This is a partial list of works that use metafictional ideas. Metafiction is intentional allusion or reference to a work's fictional nature. It is commonly used for humorous or parodic effect, and has appeared in a wide range of mediums, including writing, film, theatre, and video gaming.
The Return is a collection of short stories by the Chilean author Roberto Bolaño, published in English in 2010, translated by Chris Andrews.This volume contains all the stories from Bolaño's two Spanish language collections, Llamadas Telefonicas (1997), and Putas Asesinas (2001), which have not been previously included in the 2006 collection Last Evenings on Earth.
Collected Stories of William Faulkner is a short story collection by William Faulkner published by Random House in 1950. It won the National Book Award for Fiction in 1951. [ 1 ] The publication of this collection of 42 stories was authorized and supervised by Faulkner himself, who came up with the themed section headings.
In 1974, a pirated collection of 22 works of short fiction—gleaned mostly from these early sources—entitled The Complete Uncollected Short Stories of J. D. Salinger, Volumes 1 and 2, began appearing in bookstores. Though unauthorized by Salinger, an estimated 25,000 copies were printed.