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Art educator and Fine Art Tutorials publisher Emily Clare knows the best easel for a classroom is something a little heavier duty. "This two-sided easel comes with adjustable paint trays and write ...
Piero della Francesca, The Flagellation of Christ, c. 1468-1470. This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary.
Easel painting is a term in art history for the type of midsize painting that would have been painted on an easel, as opposed to a fresco wall painting, a large altarpiece or other piece that would have been painted resting on a floor, a small cabinet painting, or a miniature created while sitting at a desk, though perhaps also on an angled ...
Self-portrait at an Easel is an oil-on-canvas painting created c. 1556–1565 by the Italian Renaissance painter Sofonisba Anguissola, now in Łańcut Castle. From the same era as Self-Portrait at a Spinet (Naples) it shows the artist painting a devotional canvas and is one of a group of self-portraits which also includes Self-Portrait (Vienna ...
Art historian Mary Garrard believes that Judith Slaying Holofernes portrays Judith as a "socially liberated woman who punishes masculine wrongdoing". [13] Although the painting depicts a scene from the Bible, art historians have suggested that Gentileschi drew herself as Judith and her mentor Agostino Tassi , who was tried for and convicted of ...
His masterpieces include three statues of the Biblical hero David. In a version finished in the 1430s, Donatello portrayed David as a graceful, nude youth, moments after he slew the giant Goliath. The work, which is about 5 feet (1.5 meters) tall, was the first large free-standing nude created in Western art since classical antiquity.