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"Earth's Answer" is a poem by William Blake within his larger collection called Songs of Innocence and of Experience (published 1794). [2] It is the response to the previous poem in The Songs of Experience-- Introduction (Blake, 1794). In the Introduction, the bard asks the Earth to wake up and claim ownership. In this poem, the feminine Earth ...
Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
The original, English-language piece that the central lines of Rutter's piece are directly excerpted from is a poem in the book The Dominion of Dreams: Under the Dark Star, [3] by Celtic Revival writer William Sharp / Fiona Macleod; while not containing the words "Jesus," or "Amen," [4] the poem does mention both "the Son of Peace" and "the ...
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
This lyric poem by Poe was first collected in Tamerlane and Other Poems early in Poe's career in 1827. In the poem, a stargazer thinks all the stars he sees look cold, except for one "Proud Evening Star" which looks warm with a "distant fire" the other stars lack. The poem was influenced by Thomas Moore's poem "While Gazing on the Moon's Light ...
Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air.
The poem names Valimar, the residence of the Valar and the Vanyar Elves; the Calacirya, the gap in the Pelori Mountains that lets the light of the Two Trees stream out across the sea to Middle-earth; and Oiolossë ("Ever-white") or Taniquetil, the holy mountain, [1] the tallest of the Pelori Mountains; the Valar Manwë and his spouse Varda, to whom the poem is addressed, lived on its summit.
This poem is written in blank verse, with a particular emphasis on the "sound of sense". For example, when Frost describes the cracking of the ice on the branches, his selections of syllables create a visceral sense of the action taking place: "Soon the sun's warmth makes them shed crystal shells / Shattering and avalanching on the snow crust ...