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A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...
White, Paul (2005), The Sound On Sound book of Live Sound for the Performing Musician, London: Sanctuary Publishing Ltd, ISBN 1-86074-210-6 Yakabuski, Jim (2001), Professional Sound Reinforcement Techniques: Tips and Tricks of a Concert Sound Engineer , Vallejo, CA: Mix Books, ISBN 0-87288-759-6
An audio engineer with audio console, at a recording session at the Danish Broadcasting Corporation. An audio engineer (also known as a sound engineer or recording engineer) [1] [2] helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound.
For sound reinforcement in live shows, mic bleed can make it hard for the sound engineer to control the levels of the different instruments and vocals onstage. For example, if an electric guitarist's loud amplifier is bleeding into the drum and vocal mics, it may be hard for the sound engineer to reduce the volume of the guitar in the onstage mix.
Author and sound engineer Bob McCarthy wrote in 2007 that because of Smaart's widespread acceptance at all levels of live sound mixing, the paradigm has reversed from the 1980s one of surprise at finding scientific tools in the concert sound scene to one of surprise if the observer finds that such tools are not being used to tune a sound system ...
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For live sound reproduction during popular music concerts in mid- to large-size venues, there are typically two complete loudspeaker systems and PA systems (also called sound reinforcement systems): the main or front-of-house system and the monitor or foldback system. Each system consists of a mixing console, sound processing equipment, power ...
A follow-up article by Richard Hulse in the April 1996 Studio Sound included application tips and a description of implementing the technique in a digital audio workstation. [5] Bob Katz coined the term "parallel compression", [2] and has described it as an implementation of "upward compression", the increase in audibility of softer passages. [4]