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The Shah Mosque (Persian: مسجد شاه) is a mosque located in Isfahan, Iran. It is located on the south side of Naghsh-e Jahan Square. It was built during the Safavid Empire under the order of Abbas the Great. It is regarded as one of the masterpieces of Persian architecture in the Islamic era.
Courtyard of the Friday Mosque in Isfahan, with its four-iwan layout dating from the early 12th century. The most important religious monument from the Great Seljuk period is the Jameh Mosque of Isfahan, which was expanded and modified by various Seljuk patrons in the late 11th century and early 12th century.
The aisle leading the mosque's mihrab was slightly wider than the other aisles. [3] There is no indication that the new mosque had a minaret, despite the existence of this feature in other mosques of the period, [3] although Muqaddasi described the presence of a tall minaret in a central mosque of Isfahan before 985. [4]: 46
Courtyard of the Jameh Mosque of Ardestan, one of the mosques given a four-iwan layout during the Seljuk period (1158–1160) [35] The most important religious monument from the Great Seljuk period is the Jameh Mosque of Isfahan, which was expanded and modified by various Seljuk patrons in the late 11th century and early 12th century.
The first patrons to incorporate this layout into mosques were the Seljuks, with the first example probably being the Seljuk modifications to the Great Mosque of Isfahan in the early 12th century, though the layout also appears in other mosques in Iran built or renovated by the Seljuks around the same time.
The Great Mosque of Isfahan, for example, attests to one of the major developments at this time: the elaboration of the four-iwan plan for mosque architecture, which quickly became a recurring type across the region. [16]
The hypostyle mosque constructed by Muhammad in Medina served as a model for early mosque design throughout the Islamic world. [10] Umayyad religious architecture was the earliest expression of Islamic art on a grand scale [ 163 ] and the Umayyad Mosque of Damascus reproduced the hypostyle model at a monumental scale. [ 164 ]
Stucco mihrab in the Great Mosque of Isfahan in Iran, with deeply-carved arabesques and inscriptions (early 14th century, Ilkhanid) In the Greater Iranian region, a fairly distinctive style evolved from Abbasid models, employing stucco carved in high relief, especially in the decoration of mihrabs during the periods of Seljuk and Mongol domination.