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The First Restoration was a period in French history that saw the return of the House of Bourbon to the throne, between the abdication of Napoleon in the spring of 1814 and the Hundred Days in March 1815.
1726, First attempt was made to restore Leonardo da Vinci's Last Supper by Michelangelo Bellotti. 1729, First recorded transfer had been carried out by Domenico Michelini in Venice for a Titian painting (Ulisse Forni, Manuale del pittore restauratore, 1866, p. 106). The profession of restoration becomes more visible in the following years.
Restoration is the act of restoring something to its original state. This may refer to: ... First Restoration in France (1814) Bourbon Restoration in France (1815)
The ceiling before the restoration [c]. The preliminary experimentation for the modern restoration began in 1979. The restoration team comprised Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others, [6] who took as their guidelines the Rules for restoration of works of art as established in 1978 by Carlo Pietrangeli, director of the Vatican's Laboratory for the Restoration of ...
The first painting was made by Eugeniusz Kazimirowski, under the supervision of Kowalska and her confessor, Sopoćko, in Vilnius. Sopocko was a professor of theology at the University of Vilnius and introduced Kowalska to Kazimirowski, who was a professor of art there and had painted other religious images.
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The Villa of P. Fannius Synistor at Boscoreale was excavated in 1900 and many of the frescoes were stripped from the walls and auctioned off. One of the more notable conservation and restoration projects has taken place at the Metropolitan Museum of Art in New York, NY, where they have restored and installed the paintings (2002-2007) from the Villa's cubiculum, or bedroom, for the new Greek ...
The origins of the Prado's Mona Lisa are linked to those of Leonardo's original, as both paintings were likely created simultaneously in the same studio. [2] The first documentary reference was made in the 1666 inventory in the Galleria del Mediodia of the Alcazar in Madrid as Mujer de mano de Leonardo Abince (Woman by Leonardo da Vinci's hand). [7]