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Baba Raul Canizares (24 September 1955 – 28 December 2002) [1] was a Cuban Oba, a Santerían priest, an author, an artist, a musician, and a professor of religion who founded the Orisha Consciousness Movement. [2] [3] [4]
Miguel Aurelio Díaz Zayas was born in San Juan y Martínez in the Pinar del Río Province in Cuba. [1] He is of Yoruba descent. [2] [3] [4] Angá is a nickname he shared with his father. [5] He began playing early, performing and recording professionally whilst still at college.
Pedrito Martinez is a Cuban percussionist, drummer, singer, dancer, bandleader, songwriter, composer, and educator. He was born and raised in Havana, Cuba. He is a Cuban Conguero performing classic Cuban Rumbas, Afro-Cuban folkloric and religious music. He is a Santería priest. He came to the United States of America from Havana in 1998.
In their New Year predictions, high priests from Cuba's Afro-Cuban Santeria religion told followers on Thursday to watch their health and spending, care for their families, guard against crime and ...
These often drew upon Afro-Cuban music, dance, and mythology, but typically rejected Santería rituals themselves. [436] In 1942, Rómula Lachatañeré 's Manuel de santería was published, representing the first scholarly attempt to understand Santería as a religion; [ 437 ] in contrast to Ortiz, he maintained that the tradition should be ...
Priests from Cuba’s Afro-Cuban Santeria religion offered some solace on Thursday to worshippers facing another year of relentless U.S. sanctions, government austerity measures and shortages on ...
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. [1] Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world.
In 1946, the famous Cuban writer, art critic and musicologist Alejo Carpentier (b. 104) established a benchmark with his work “La música en Cuba” (1946), an attempt to put together a comprehensive history of Cuban music from the 16th century until his time. Although the work presented as facts some controversial historical issues, such as ...