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The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll.
[14] [15] To conclude the night, the Sugar Plum Fairy and her Cavalier perform a dance. [16] [17] A final waltz is performed by all the sweets, after which the Sugar Plum Fairy ushers Marie and the Prince down from their throne. He bows to her, kisses Marie goodbye, and leads them to a reindeer-drawn sleigh.
Dance_of_the_Sugar_Plum_Fairies_(ISRC_USUAN1100270).oga (Ogg Vorbis sound file, length 1 min 46 s, 143 kbps, file size: 1.81 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Feminist ballerina Ashley Bouder has been outspoken about body shaming in the ballet world. Here's how she's leading by example as her daughter joins her on stage this holiday "Nutcracker" season.
In the video, “Dance of the Sugar Plum Fairy” played softly in the background as Bieber applied her makeup in a pink and white Erl quilted puffer jacket, chunky gold Saint Laurent earrings and ...
There, the Prince and the jealous, one-eyed Pasha, who strongly resembles Drosselmeyer, develop a rivalry over Clara. Under the Pasha's direction, the members of the court perform divertissements, and Clara performs the "Dance of the Sugar Plum Fairy". She and the Prince dance a romantic "Pas de Deux".
In addition, the Dance Of The Sugar Plum Fairy is moved from near the end of Act II to near the beginning of the second act, just after the Sugar Plum Fairy makes her first appearance. To help the musical transition, the tarantella that comes before the dance is cut.
abbreviated concert performance of Dance of the Sugar Plum Fairy by the orchestra of the Moscow Conservatory. Pyotr Ilyich Tchaikovsky is usually cited as the first major composer to use this instrument in a work for full symphony orchestra. He first used it in his symphonic poem The Voyevoda, Op. posth. 78, premiered in November 1891. [2]