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Slab serifs declined following the growing popularity of sans-serif faces, with which they always competed. [16] Notable collections of original wood type are held by the Hamilton in Wisconsin [ 17 ] [ 18 ] and the University of Texas at Austin , collected by Rob Roy Kelly, writer of a well-known book on American poster types. [ 19 ]
Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word sans, meaning "without" and "serif" of uncertain origin, possibly from the Dutch word schreef meaning "line" or pen ...
The oldest citations in the Oxford English Dictionary (OED) are 1830 for 'serif' and 1841 for 'sans serif'. The OED speculates that 'serif' was a back-formation from 'sanserif'. Webster's Third New International Dictionary traces 'serif' to the Dutch noun schreef , meaning "line, stroke of the pen", related to the verb schrappen , "to delete ...
The terminal (end) of an instroke or outstroke is often a serif or a stroke ending. A seriffed terminal may be described as a wedge, bulbous, teardrop, slab, etc., depending on the design of the type. Typefaces may be classified by their look, of which the weight and serif style – whether serif or sans-serif – are key features. [9]
Typeface remains the groundwork for design concepts. The hallmark of early modern typography is the sans-serif typeface. "Because of its simplicity, the even weight of its lines, and its nicely balanced proportions, sans serif forms pleasing and easily distinguished word patterns – a most important element in legibility and easy reading."
Sans serif text typefaces (without serifs) often are used for introductory paragraphs, incidental text, and whole short articles. A fashion at the end of the twentieth century was to pair a sans-serif typeface for headings with a high-performance serif typeface of matching style for the text of an article.
The rise of the slab serif and sans-serif genres displaced fat faces from much display use, while the revival of interest in "old-style" designs reduced its use in body text. This trend, influenced by the Arts and Crafts movement and antiquarian-minded printers such as William Morris , rejected austere, classical designs of type, ultimately in ...
In typography, any stroke which does not terminate in a serif is a terminal. [1] By definition all sans-serif typefaces have terminals, and serif typefaces often have them as well. Spurs, ears, and swatches are all terminals, and hooks often end in terminals.