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"Epitaph" is the third track on British progressive rock band King Crimson's 1969 album In the Court of the Crimson King. It was written by Robert Fripp , Ian McDonald , Greg Lake , and Michael Giles with lyrics written by Peter Sinfield .
The Seikilos epitaph is an Ancient Greek inscription that preserves the oldest surviving complete musical composition, including musical notation. [1] Commonly dated between the 1st and 2nd century AD, the inscription was found engraved on a pillar ( stele ) from the ancient Hellenistic town of Tralles (present-day Turkey ) in 1883.
Epitaph on the base of the Haymarket Martyrs' Monument, Waldheim Cemetery, Forest Park, Illinois. An epitaph (from Ancient Greek ἐπιτάφιος (epitáphios) 'a funeral oration'; from ἐπι-(epi-) 'at, over' and τάφος (táphos) 'tomb') [1] [2] is a short text honoring a deceased person.
Epitaph is a live 4-CD set of concert performances and radio sessions from 1969 by the band King Crimson, released in 1997.Volumes 1 and 2 (Discs 1 and 2) were available in retail shops, and the set included a flyer with instructions on how to obtain Volumes 3 and 4 (Discs 3 and 4) via mail-order.
"Epitaph", a song by Badly Drawn Boy from his 2000 album The Hour of Bewilderbeast "Epitáfio", a song by Brazilian rock band Titãs from 2002 album A Melhor Banda de Todos os Tempos da Última Semana
Epitaph (song) From a page move : This is a redirect from a page that has been moved (renamed). This page was kept as a redirect to avoid breaking links, both internal and external, that may have been made to the old page name.
All Ages is a compilation album by the American punk rock band Bad Religion. [6] It was released on July 26, 1995, through Epitaph Records. [7] The compilation contains songs from How Could Hell Be Any Worse? to Generator, and two live tracks recorded during their 1994 European tour, which were the first tracks to feature guitarist Brian Baker.
Epitaph – A Nasheed-style song in Arabic by Luis Delgado from the Album Sueno de al-Zaqqaq ("The Dream of al-Zaqqaq"), is played in the scene in which Saladin enters the city. In this scene there are three songs from that album of Luis Delgado combined. The first is "Epitaph", the second is "Balansiya" and the third is "La Aurora Nocturna".