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Nothing gold can stay. " Nothing Gold Can Stay " is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [ 1 ] which earned Frost the 1924 Pulitzer Prize for Poetry.
Leaves of Grass (1882)/Memories of President Lincoln/When Lilacs Last in the Dooryard Bloom'd at Wikisource. " When Lilacs Last in the Dooryard Bloom'd " is a long poem written by American poet Walt Whitman (1819–1892) as an elegy to President Abraham Lincoln. It was written in the summer of 1865 during a period of profound national mourning ...
Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils. – William Wordsworth (1802) " I Wandered Lonely as a Cloud " (also sometimes called " Daffodils " [2]) is a lyric poem by William Wordsworth. [3] It is one of his most popular, and was inspired by an encounter on 15 April 1802 during a walk ...
Written in 1258 CE, it is one of two major works of the Persian poet Sa'di, considered one of the greatest medieval Persian poets. It is also one of his most popular books, and has proved deeply influential in the West as well as the East. [2] The Gulistan is a collection of poems and stories, just as a rose-garden is a collection of flowers.
Such was the popular mood (remember the queues across the bridges near Westminster Abbey) that the words of the poem, so plain as scarcely to be poetic, seemed to strike a chord. Not since Auden's 'Stop All the Clocks' in the film Four Weddings and a Funeral had a piece of funerary verse made such an impression on the nation. In the days ...
The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
The wreath’s blooms, plucked from the Queen’s beloved Balmoral garden, bore a striking resemblance to the white wreath that Queen Elizabeth II selected to sit upon the coffin of her husband ...
The poem is not a conventional part of the Classical genre of Theocritan elegy, because it does not mourn an individual. The use of "elegy" is related to the poem relying on the concept of lacrimae rerum, or disquiet regarding the human condition. The poem lacks many standard features of the elegy: an invocation, mourners, flowers, and shepherds.