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  2. Impressionism - Wikipedia

    en.wikipedia.org/wiki/Impressionism

    Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.

  3. Category:Impressionist paintings - Wikipedia

    en.wikipedia.org/wiki/Category:Impressionist...

    Pages in category "Impressionist paintings" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes. .

  4. Painting - Wikipedia

    en.wikipedia.org/wiki/Painting

    The first example of modernism in painting was impressionism, a school of painting that initially focused on work done, not in studios, but outdoors (en plein air). Impressionist paintings demonstrated that human beings do not see objects, but instead see light itself.

  5. Claude Monet - Wikipedia

    en.wikipedia.org/wiki/Claude_Monet

    Oscar-Claude Monet (UK: / ˈ m ɒ n eɪ /, US: / m oʊ ˈ n eɪ, m ə ˈ-/; French: [klod mɔnɛ]; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. [1]

  6. Impressionism (literature) - Wikipedia

    en.wikipedia.org/wiki/Impressionism_(literature)

    The Dutch Tachtigers explicitly tried to incorporate Impressionism into their prose, poems, and other literary works. Much of what has been called "impressionist" literature is subsumed into several other categories, especially Symbolism, its chief exponents being Baudelaire, Mallarmé, Rimbaud, Verlaine and Laforgue, and the Imagists. It ...

  7. John Henry Twachtman - Wikipedia

    en.wikipedia.org/wiki/John_Henry_Twachtman

    Art historians consider Twachtman's style of American Impressionism to be among the more personal and experimental of his generation. He was a member of "The Ten," a loosely-allied group of American artists dissatisfied with professional art organizations, who banded together in 1898 to exhibit their works as a stylistically unified group.