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In philosophy and the arts, a fundamental distinction is between things that are abstract and things that are concrete.While there is no general consensus as to how to precisely define the two, examples include that things like numbers, sets, and ideas are abstract objects, while plants, dogs, and planets are concrete objects. [1]
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Influenced by Kant's philosophy, Georg Wilhelm Friedrich Hegel (1770–1831) linked ontology and logic. He said that being and thought are identical and examined their foundational structures. [202] Arthur Schopenhauer (1788–1860) rejected Hegel's philosophy and proposed that the world is an expression of a blind and irrational will. [203]
Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.
Those abstract things are then said to be multiply instantiated, in the sense of picture 1, picture 2, etc., shown below. It is not sufficient, however, to define abstract ideas as those that can be instantiated and to define abstraction as the movement in the opposite direction to instantiation. Doing so would make the concepts "cat" and ...
A notion that philosophy, especially ontology and the philosophy of mathematics, should abstain from set theory owes much to the writings of Nelson Goodman (see especially Goodman 1940 and 1977), who argued that concrete and abstract entities having no parts, called individuals, exist. Collections of individuals likewise exist, but two ...
Strictly speaking, it refers to art unconcerned with the literal depiction of things from the visible world [1] —it can, however, refer to an object or image which has been distilled from the real world, or indeed, another work of art. Artwork that reshapes the natural world for expressive purposes is called abstract; that which derives from ...
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas. [1] [2] The use of symbols artistically is symbolism. In literature, such as novels, plays, and poems, symbolism goes beyond just the ...