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The Wall is the eleventh studio album by the English rock band Pink Floyd, released on 30 November 1979 by Harvest/EMI and Columbia/CBS Records.It is a rock opera which explores Pink, a jaded rock star, as he constructs a psychological "wall" of social isolation.
In 2010, Scarfe's book The Making of Pink Floyd: The Wall was published, detailing the artist's work with Pink Floyd and Roger Waters from 1974 to 2010. The book contains contributions from Floyd members Roger Waters, Nick Mason, and David Gilmour, as well as director of the film, Alan Parker. [14]
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Everything Under The Sun: The Complete Guide To Pink Floyd is a book published in 2024. It was written by Mike Cormack and published by The History Press. [1] The book is in four parts: the first part analyses all the recorded and released songs of Pink Floyd. The second is a timeline of all of Pink Floyd's concerts and release dates, matched ...
In the film Pink Floyd – The Wall, during the ominous opening to the song, Pink is standing in front of the completed wall, and throws himself against it several times as if trying to escape. Then, during the acoustic guitar section, it cuts to Pink laying out all his possessions on the floor of the hotel room in neat piles.
Additionally, the song contains some references to founding Pink Floyd member, Syd Barrett. [5] The song was written after an argument between Gilmour, Waters, and co-producer Bob Ezrin during the production of The Wall in which Gilmour and Ezrin challenged Waters to come up with one more song for the album. Waters then wrote "Nobody Home" and ...
"Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 album The Wall, written by the bassist, Roger Waters. "Part 2", a protest song against corporal punishment and rigid and abusive schooling, features a children's choir. At the suggestion of the producer, Bob Ezrin, Pink Floyd added elements of disco.
The Wall was adapted into a film, Pink Floyd – The Wall. The film was conceived as a combination of live concert footage and animated scenes; however, the concert footage proved impractical to film. Alan Parker agreed to direct and took a different approach. The animated sequences remained, but scenes were acted by actors with no dialogue.