Search results
Results From The WOW.Com Content Network
Spencerian script is a handwriting script style based on Copperplate script that was used in the United States from approximately 1850 to 1925, [1] [2] and was considered the American de facto standard writing style for business correspondence prior to the widespread adoption of the typewriter.
Handwritten letterforms of the mid-15th century calligraphy were the natural models for letterforms in systematized typography. [1] The scribal letter known as textur or textualis, produced by the strong gothic spirit of blackletter from the hands of German area scribes, served as the model for the first text types.
Cursive – any style of handwriting written in a flowing (cursive) manner, which connects many or all of the letters in a word, or the strokes in a CJK character or other grapheme. Studies of writing and penmanship. Chirography – handwriting, its style and character; Diplomatics – forensic paleography (seeks the provenance of written ...
D'Nealian, a style of writing and teaching cursive and manuscript adapted from the Palmer Method; Zaner-Bloser script, another streamlined form of Spencerian script; Library hand another 19th-century script developed by Melvil Dewey and Thomas Edison; Round hand, a style of handwriting and calligraphy originating in England in the 1660s
Sütterlin is based on older German handwriting, which is a handwriting form of the Blackletter scripts such as Fraktur and Schwabacher, the German print scripts used at the same time. It includes the long s (ſ) as well as several standard ligatures such as ff (f-f), ſt (ſ-t), st (s-t), and ß (ſ-z or ſ-s).
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. The original Clarendon design, a quite condensed design, did not feature an italic, and many early Clarendon designs, such as wood type headline faces, have capitals only with no lower-case letters, leaving many options for individual adaptation.
The Antiqua–Fraktur dispute was a typographical dispute in 19th- and early 20th-century Germany. In most European countries, blackletter typefaces like the German Fraktur were displaced with the creation of the Antiqua typefaces in the 15th and 16th centuries. However, in Germany and Austria, the two styles of printing coexisted until the ...