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In the 18th century, engageantes took the form of ruffles or flounces of linen, cotton, or lace, tacked to the elbow-length sleeves then fashionable. [1] In the mid-19th century, the term engageante was used for separate false sleeves, usually with fullness gathered tight at the wrist, worn under the open bell-shaped "pagoda" sleeves of day ...
The initial lobster motif was drawn by Dali and printed onto the dress by the silk designer Sache. [1] The dress is also illustrated with sprigs of parsley. [2] The dress is made from printed silk organza and synthetic horsehair. [3] The front of the dress is 52 inches (132 cm) in length, with a waist measurement of 22 inches (56 cm). [3]
At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court dress in its formality.
There is significant speculation as to the origins and symbolism of boteh jegheh, or "ancient motif", known in English as paisley. [5] With experts contesting different time periods for its emergence, to understand the proliferation in the popularity of boteh jegheh design and eventually Paisley, it is important to understand South Asian history.
After issuing several singles and receiving sold-out college campus shows, Parsley, Sage, Rosemary and Thyme was released by Columbia Records on October 24, 1966. [27] The duo resumed their trek on the college circuit eleven days following the release, crafting an image that was described as "alienated", "weird", and "poetic". [ 28 ]
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