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Four Chords & Several Years Ago is the seventh album by American rock band ... "Surely I Love You" James Bracken; Marion Oliver; ... "Going Down Slow" James B. Oden ...
"Love You Like a Love Song" was written and produced by Antonina Armato and Tim James, while they are credited under the stage-name Rock Mafia for the production. Armato and James have collaborated on The Scene's previous songs including "Naturally" and "Tell Me Something I Don't Know" (Kiss & Tell, 2009).
In July, the song was included on the American album Something New. Capitol Records also released it as a single, with "Matchbox" (also from the Long Tall Sally EP) as the A-side, on August 24, 1964. [4] "Slow Down" reached number 25 on the Billboard Hot 100 singles chart. [5] The song is also included on the 1988 Past Masters compilation. [4]
"Slow Me Down" is a song written by Marv Green, Heather Morgan and Jimmy Robbins and recorded by American country music artist Sara Evans. It was released on September 3, 2013, as a digital download and to country radio on September 23, 2013, as the first single and title track from Evans’ 2014 album of the same name .
The following is a list of all songs recorded by Huey Lewis and the News. The table lists each song title by Huey Lewis and the News, the songwriters for each song, the album or soundtrack on which the song first appeared, and the year in which the song was released.
James' original version was recorded in 1956 as "You're the Reason I'm In Love," for the beginning line of the refrain. An electric guitar-heavy, slow-tempoed song, "You're the Reason ..." was the B-side to the better-known "Young Love" (James' first major hit). While "Young Love" went on to be a massive country and pop hit
The song was released as the second promotional single from the album on April 18, 2016. A slow-paced, sultry R&B track, "Let Me Love You" features delicate piano chords, electro-beats, smooth, deep bass, trap-lite, hip-hop beats, and interspersed vocals. Lyrically, the song talks about getting over an ex and laying on the chest of someone new.
The song is performed in the key of E minor [5] and Attwood sees the desolate lyrical landscape as being reflected in the descending chord progression of the music: "the chords of E minor and D rock back and forth, and the verse ends with a descent of E minor, D major, B minor, A major – and the descent is a descent in every respect. It feels ...