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"Hedwig's Theme" has been interpolated in the fourth through eighth Harry Potter film scores, including in those by Patrick Doyle, Nicholas Hooper, and Alexandre Desplat and the spin-off Fantastic Beasts scores by James Newton Howard. It also appears in the scores to the last four Harry Potter video games, all composed by James Hannigan ...
The music of the Harry Potter film series was recorded and released in conjunction with the post-production and releases of each of the eight corresponding films. The scores were composed by John Williams , Patrick Doyle , Nicholas Hooper , and Alexandre Desplat .
Harry Potter and the Order of the Phoenix (Original Motion Picture Soundtrack) is the soundtrack to the 2007 film of the same name, based on the book by J. K. Rowling. Nicholas Hooper composed the film's score, following John Williams, who scored the first three films, and Patrick Doyle, who did the fourth.
In 2018, La-La-Land Records released a complete version of the score in a two-disc CD as part of a three soundtrack set featuring the scores for the first three Harry Potter films. Track listing [ edit ]
It is the second Harry Potter film to be scored by Hooper, who also composed the score for the previous film in the series, Harry Potter and the Order of the Phoenix. The soundtrack was released on 14 July 2009, a day before the film's release, and was nominated for a Grammy Award for Best Score Soundtrack Album for a Motion Picture.
Harry Potter and the Goblet of Fire (Original Motion Picture Soundtrack) was released on 15 November 2005. The film's score was composed by Patrick Doyle, conducted by James Shearman, recorded at Air Lyndhurst Studios and performed by the London Symphony Orchestra with orchestrations provided by Doyle, Shearman, Lawrence Ashmore, John Bell, Brad Dechter, Nicole Nevin and James McWilliam.
This is the final movie in the Harry Potter series to use Hedwig's Theme in its original, gradually building form during the opening (until the credits of Deathly Hallows Part 2). This version includes a slightly more ominous celesta melody, and retains the woodwind melody, but features a short harp motif at the end.
Pope, who served as an orchestrator on the first three Potter films and the supervising orchestrator on Deathly Hallows, commented that Desplat's music is "exciting and vigorous". He added on his Facebook profile that "Harry flies, fights and conjures. All accompanied by the distinctive, definitely non-generic voice of Desplat.