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The Black sermonic tradition, or Black preaching tradition, is an approach to sermon (or homily) construction and delivery practiced primarily among African Americans in the Black Church. The tradition seeks to preach messages that appeal to both the intellect and the emotive dimensions of humanity.
The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...
Modern American origins of contemporary black theology can be traced to July 31, 1966, when an ad hoc group of 51 concerned clergy, calling themselves the National Committee of Negro Churchmen, bought a full page ad in The New York Times to publish their "Black Power Statement", which proposed a more aggressive approach to combating racism using the Bible for inspiration. [5]
Smith, R. Drew, ed. Long March ahead: African American churches and public policy in post-civil rights America (2004). Sobel, M. Trabelin' On: The Slave Journey to an Afro-Baptist Faith (1979) Southern, Eileen. The Music of Black Americans: A History (1997) Spencer, Jon Michael. Black hymnody: a hymnological history of the African-American ...
Shadrach Meshach Lockridge (March 7, 1913 – April 4, 2000) was the Pastor of Calvary Baptist Church, [1] a prominent African-American congregation in San Diego, California, from 1953 to 1993. He was known for his preaching across the United States and around the world. [2]
God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory. African-American scholars Henry Louis Gates and Cornel West have identified the collection as one of Johnson's two most notable works, the other being Autobiography of an Ex-Colored Man. [1]