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Thrumming is a technique in which small pieces of wool or yarn (thrums) are pulled through fabric to create a wooly layer.The term thrum originally referred specifically to worthless pieces of warp thread which remained after weaving a piece of fabric using a loom, though its meaning has since broadened to include any small pieces of wool or thread which are used in a similar way.
Knit the City logo. Knit the City is a group of "graffiti knitting and crochet" street artists founded in London, England in 2009. The collective is credited with being the first to go beyond the simple 'cosies' of early graffiti knitting to tell 'stitched stories', using knitted and crochet amigurumi creatures and objects in their public installations. [1]
Crochet, embroidery, knitting, lace, quilting and felting are all commonly found in wearable art pieces. Crochet remained a homemaker's art until the late 1960s, as new artists began experimenting with free-handed crochet. This practice allowed artists to work in any shape and employ the use of colors freely, without the guidance of a pattern. [15]
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However, New England was the site of the development of preprinted designs on burlap, indicating a shift in the status of rug hooking, at least for some. While preprinted embroidery patterns had long existed, it was Philena Moxley of Lowell, Massachusetts who first developed a business stamping embroidery and rug hooking designs about 1868-1871.
Gauge, known in the UK as tension, is a measurement of how many stitches and rows are produced per inch or per cm on a specified size of knitting needle or crochet hook. The proposed standardization uses a four-by-four inch/ten-by-ten cm knitted stockinette or single crocheted square, with the resultant number of stitches across and rows high ...
Xenobia Bailey (born 1955) is an American fine artist, designer, Supernaturalist, cultural activist and fiber artist best known for her eclectic crochet African-inspired hats [1] and her large-scale crochet pieces and mandalas.
The Tempestry Project is a collaborative fiber arts project that presents global warming data in visual form through knitted or crocheted artwork. The project is part of a larger "data art" movement and the developing field of climate change art, which seeks to exploit the human tendency to value personal experience over data by creating accessible experiential representations of the data.