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"Doll Parts" is a song by American alternative rock band Hole, written by vocalist and rhythm guitarist Courtney Love. The song was released as the band's sixth single and second from their second studio album, Live Through This , in November 1994 to accompany the band's North American tour.
The song alternates between the chords of E 5 and D 5 during the verses and E sus4 and G in the pre-chorus, while at the refrain it changes to the chord progression of A–C 5. [2] It begins with Cobain playing an unaccompanied guitar riff for eight seconds.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records.
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments of Portuguese origin and popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes: soprano, concert ...
The chord notation N.C. indicates the musician should play no chord. The duration of this symbol follows the same rules as a regular chord symbol. This is used by composers and songwriters to indicate that the chord-playing musicians (guitar, keyboard, etc.) and the bass player should stop accompanying for the length covered by the "No Chord ...
Come as You Are: The Story of Nirvana, a book by Michael Azerrad Come as You Are (sex shop) , a Toronto-based co-operative sex shop Come as You Are: The Surprising New Science That Will Change Your Sex Life , a book by Emily Nagoski
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...