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In English literature, Don Juan, written from 1819 to 1824 by the English poet Lord Byron, is a satirical, epic poem that portrays the Spanish folk legend of Don Juan, not as a womaniser as historically portrayed, but as a victim easily seduced by women. [1] As genre literature, Don Juan is an epic poem, written in ottava rima and presented in ...
The Shipwreck of Don Juan is an 1840 oil painting by the French artist Eugène Delacroix. [1] It depicts a scene from Lord Byron epic poem Don Juan. [2] Don Juan and others are adrift in the Mediterranean in a ship's boat following a shipwreck. It was exhibited at the Salon of 1841.
For example, Lord Byron (1788–1824) engaged in a famous feud with Robert Southey, who was then England's Poet Laureate. Byron wrote a mocking 17-verse dedication to his epic poem Don Juan in which he savagely pilloried Southey as a dull, reactionary "warbler" who had abandoned his political principles for favor and financial reward. [3]
Byron's magnum opus, Don Juan, a poem spanning 17 cantos, ranks as one of the most important long poems published in England since John Milton's Paradise Lost. [179] Byron published the first two cantos anonymously in 1819 after disputes with his regular publisher over the shocking nature of the poetry.
Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina.
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Lord Byron read Frere's work and saw the potential of the form. He quickly produced Beppo, his first poem to use the form. Shortly after this, Byron began working on his Don Juan (1819–1824), probably the best-known English poem in ottava rima. Byron also used the form for The Vision of Judgment (1822).