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In the 1930s, 'samba-canção' was the denomination applied to some sentimental tunes written for musical reviews. They were not many. Some representative sambas-canções of this kind are: No rancho fundo (1931, lyrics and music by Ary Barroso and Lamartine Babo), Na batucada da vida (1934, Ary Barroso and Luiz Peixoto") and Serra da Boa ...
Pelo Telefone (English: On the Telephone) is a song attributed to the Brazilian guitarist and composer Donga and considered to be the first samba song to be recorded in Brazil, according to records at the National Library of Brazil, [3] [4] although earlier recordings exist, such as "Samba - Em Casa da Bahiana" (1913) [5] and "Urubu Malandro" (1914).
In the late 1940s, he was a member of the samba-canção movement largely founded by his sometime creative rival, composer Ary Barroso. Other prominent Brazilian musicians of the day covered several of his songs, including Dick Farney , who famously recorded Caymmi's " Marina " (1944) in 1947. [ 1 ]
[16] [39] Mainly from the so-called "golden age" of Brazilian music, [40] samba received abundant categorizations, some of which denote solid and well-accepted derivative strands – such as bossa nova, pagode, partido alto, samba de breque, samba-canção, samba de enredo and samba de terreiro – while other nomenclatures were somewhat more ...
Some say his sambas had a tendency towards samba-canção. The cavaquinhos in his records had a certain choro mood, which was less percussive than usual, with the exception of his last records where Alceu Maia was the cavaquinist. As a musician, Cartola made use of many modulations, some of which were
Perhaps the most popular melody associated to football in Brazil is Na Cadência do Samba, widely known as Que bonito é ("How beautiful it is"), which served as the theme tune for Canal 100, a newsreel (cinejornal) running in local theaters from 1962 up to early 1980s.
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"Samba do Arnesto" (English: Arnesto's samba) is a classical samba song composed in 1953 by Italian Brazilian composer and singer Adoniran Barbosa. [1] In his style of the "paulista" samba, it has humorous lyrics written in poor Portuguese language of the São Paulo city's poor suburbs with Italian immigrants. As is typical of many of his ...