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Mini-music to Siegfried Palm, Op. 38 (1970) Sven Einar Englund. Suite (1986) Gottfried von Einem. Music, Op. 108 (1996) Iván Erőd. Hommage à Beethoven, Op. 24 (Rhapsodie für Violoncello solo über Themen der Sonate, Op. 102/1 von Ludwig van Beethoven) (1977) Rudolf George Escher. Sonata for solo Violoncello (1945–48) Pozzi Escot. Sonata ...
He was the author of the book Bach, the Fencing Master, a stylistic and aesthetic analysis of Bach's cello suites. He was one of the pioneers of the "Dutch Baroque School" and rose to fame as a partner of Frans Brüggen and Gustav Leonhardt, who toured extensively together and made many recordings. Bylsma continued to be a towering figure in ...
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
In addition to his activity as a composer, Bayer has been teaching aesthetics and musical analysis as well as instrumentation and orchestration since 1971 in the Music Department of the Paris 8 University where he had as students future composers as different in their aesthetic orientations as Bernard Cavanna, Pascal Dusapin, Jean-Louis ...
The strings are retuned a tri-tone lower than regular pitch and the body of cello is considered as four separated parts. The composer requires the soloist to play on those four parts in order to create percussive timbres. The premiere took place in the same year by Huang. Its avant-generation aesthetic caused a burst of discussion nationwide. [2]
Sinfonia No 10 in A minor for cello and organ; Neithard Bethke Ludi organi, op. 58 no. 10, Weihnachtspastorale über "Quem pastores laudaverunt" Rudolf Bibl. Zwei Adagio, op. 30; Lucien Blin Recueillement; Dirk Blockeel "Ach Gott vom Himmel sieh darein", Chorale en diminutio for cello and organ "In paradisum" for cello and organ
Twelve Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) Twelve Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 (1796) Seven Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46 (1801) Karol Beffa "Marmor" for cello and piano
Hochman's oeuvre includes a range of compositions for solo instruments, chamber music, choirs and orchestras which reflects a variety of aesthetic approaches. His music is, on the one hand, a continuation of western classical music's development, yet on the other hand he puts a great emphasis on themes relating to Jewish tradition and his Israeli origin.