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Dionysus in '69 [1] is a 1970 film directed by Brian De Palma, Robert Fiore and Bruce Rubin. The film records a performance of The Performance Group 's stage play of the same name, an adaptation of The Bacchae .
Dionysos is a 1984 French comedy film directed by Jean Rouch, starring Jean Monod and Hélène Puiseux. It tells the story of an American drama teacher who after writing a thesis on Dionysus tries to combine Dionysian rites with the work at a car factory, in an attempt to create the world's first car built in joyous frenzy. [ 1 ]
In Greek mythology, Silenus (/ s aɪ ˈ l iː n ə s /; Ancient Greek: Σειληνός, romanized: Seilēnós, IPA: [seːlɛːnós]) was a companion and tutor to the wine god Dionysus. He is typically older than the satyrs of the Dionysian retinue ( thiasos ), and sometimes considerably older, in which case he may be referred to as a ...
Pan appears in The Circus of Dr. Lao (1935), written by Charles G. Finney and illustrated by Boris Artzybasheff, and its movie adaptation, 7 Faces of Dr. Lao(1964) Pan is the primary, metaphorical theme in Knut Hamsun's novel Pan (1894) In Jitterbug Perfume (1985) by Tom Robbins, Pan plays a prominent role throughout the whole plot
Aphrodite's winged little son Eros, the god of romantic love, is similarly trying to assist his mother fight off her assaulter by grasping Pan's right horn and pushing him away. [1] [3] Pan leans on a tree trunk (the statue's marble support) covered with animal's skin, and has left his hunting stick at the foot of the trunk. [1]
The god Pan first occurred in Jean Giono's works in the 1924 poetry collection Accompagné de la flûte.He is then mentioned in Giono's private correspondence, appears in his first written novel Naissance de l'Odyssée, and was the subject of an unpublished magazine article in the 1920s.
The adept then becomes as a Babe in the Womb of Babalon—impregnated by Pan—and their lifeless Self becomes as a pile of dust, taking rest in the City of the Pyramids, which lies under the Night of Pan. This is why it is called Night—it represents the lightless Womb, and also the time before the dawning of the new Sun (or rather, the new ...
In Greek vase-paintings or bas-reliefs, lone female figures can be recognized as belonging to the thiasus by their brandishing the thyrsos, the distinctive staff or rod of the devotee. Other regulars of the retinue were various nature spirits, including the sileni (or human dancers costumed as such), phalluses much in evidence, satyrs , and Pan .