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Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Western classical music pieces are called ostinatos. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
Writing for Allmusic, critic Jason Ankeny wrote that the album is "simply too brief to stand as a definitive collection of the guitarist's spiritual recordings; his instrumental work is impeccable of course, but performances of favorites like "Amazing Grace," "Just a Closer Walk with Thee" and "The Old Rugged Cross" pass by too quickly to properly whet the listener's appetite."
Chalmers Edward "Spanky" Alford (May 22, 1955 – March 24, 2008) was an American gospel, jazz, and neo-soul guitarist. Alford was born in Philadelphia. Alford was born in Philadelphia. He was well known for his playing style, utilizing chord embellishments.
To create lead guitar lines, guitarists use scales, modes, arpeggios, licks, and riffs that are performed using a variety of techniques. [1] In rock, heavy metal, blues, jazz and fusion bands and some pop contexts as well as others, lead guitar lines often employ alternate picking, sweep picking, economy picking and legato (e.g., hammer ons, pull offs), which are used to maximize the speed of ...
The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African-American clergymen and pastors began preaching in a charismatic, musical call-and-response style. [3]
Elmer Ellsworth McMeen, III (known as El McMeen) (born June 3, 1947 in Lewistown, Pennsylvania), is an acoustic steel-string fingerstyle guitarist.His specialty is fingerstyle arrangements of sung or strongly melodic pieces, ranging from the Irish genre, to hymns, gospel tunes and pop music.