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The Parthenon had 46 outer columns and 23 inner columns in total, each column having 20 flutes. (A flute is the concave shaft carved into the column form.) The roof was covered with large overlapping marble tiles known as imbrices and tegulae. [66] [67] The Parthenon is regarded as the finest example of Greek architecture.
The most important damage caused was the destruction of the Parthenon. The Turks used the temple for ammunition storage, and when, on the evening of 26 September 1687, a mortar shell hit the building, the resulting explosion killed 300 people and led to the complete destruction of the temple's roof and most of the walls.
The Older Parthenon (in black) was destroyed by the Achaemenids in the Destruction of Athens, and then rebuilt by Pericles (in grey).. The Older Parthenon or Pre‐Parthenon, as it is frequently referred to, [1] constitutes the first endeavour to build a sanctuary for Athena Parthenos on the site of the present Parthenon on the Acropolis of Athens.
The Elgin Marbles (/ ˈ ɛ l ɡ ɪ n / ELG-in) [1] [2] are a collection of Ancient Greek sculptures from the Parthenon and other structures from the Acropolis of Athens, removed from Ottoman Greece and shipped to Britain by agents of Thomas Bruce, 7th Earl of Elgin, and now held in the British Museum in London.
The Hekatompedon or Hekatompedos (Ancient Greek: ἑκατόμπεδος, from ἑκατόν, "hundred", and πούς, "foot"), also known as Ur-Parthenon and H–Architektur, was an ancient Greek temple on the Acropolis of Athens built from limestone in the Archaic period, and placed in the position of the present Parthenon.
Articles relating to the Parthenon, a former temple on the Athenian Acropolis, Greece, dedicated to the goddess Athena, whom the people of Athens considered their patroness. It is the most important surviving building of Classical Greece , generally considered the zenith of the Doric order .
Articles relating to the Elgin Marbles and their depictions, a collection of sculptures and other parts of the Parthenon (and other sacred and ceremonial structures built on the Acropolis of Athens) taken by agents of Thomas Bruce, 7th Earl of Elgin, while Greece was under Ottoman rule, and sent to Britain.
Fragment of the accounts relating to the realization of the statue of Athena Parthenos, IG I 3 458, Museum of the Acropolis of Athens.. According to Pausanias and Plutarch [N 5], the statue is not by Phidias alone but of a team of craftsmen representing several trades, Phidias supervising all the decoration work of the Parthenon.