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The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, [1] and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's The Language of Painting.
Artemisia Lomi or Artemisia Gentileschi (US: / ˌ dʒ ɛ n t i ˈ l ɛ s k i /; [1] [2] Italian: [arteˈmiːzja dʒentiˈleski]; 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio .
Artemisia Gentileschi 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio .
Self-Portrait (Artemisia Gentileschi) Self-Portrait as a Female Martyr; Self-Portrait as a Lute Player; Self-Portrait as Saint Catherine of Alexandria; Self-Portrait as the Allegory of Painting; Susanna and the Elders (Artemisia Gentileschi, Brno) Susanna and the Elders (Artemisia Gentileschi, London) Susanna and the Elders (Artemisia ...
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Artemisia Gentileschi: the image of the female hero in Italian Baroque art. Princeton, NJ: Princeton University Press. ISBN 978-0691002859. OCLC 759092033. Bissell, R. Ward (1999-01-01). Artemisia Gentileschi and the authority of art: critical reading and catalogue raisonné. University Park, Pa.: Pennsylvania State University Press.
Susanna and the Elders is a painting by the Italian artist Artemisia Gentileschi, with help from Micco Spadaro (also known as Domenico Gargulio) and Viviano Codazzi. It is one of several paintings composed by Gentileschi on the theme of Susanna being approached by two men while she is washing. The painting was completed in the 1630s while ...
Susan Joyce Vreeland (January 20, 1946 – August 23, 2017) was an American author.Several of her books deal with the relationship between art and fiction. [1] The Passion of Artemisia is a fictionalized investigation of some aspects of the life of Artemisia Gentileschi, [2] while Girl in Hyacinth Blue centers round an imaginary painting by Vermeer.