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The École du Louvre (French pronunciation: [ekɔl dy luvʁ]) is a selective institution of higher education and prestigious grande école located in the Aile de Flore of the Louvre Palace in Paris, France. It is dedicated to the study of archaeology, art history, anthropology and epigraphy.
The glory meant ever so many things at once, not only beauty and art and supreme design, but history and fame and power, the world in fine raised to the richest and noblest expression. [5] As part of the Louvre, the Galerie d'Apollon is both a national and World Heritage Site. [6]
The Galerie des Batailles (French: [ɡalʁi de bataj]; English: "Gallery of Battles") is a gallery occupying the first floor of the Aile du Midi of the Palace of Versailles, joining onto the grand and petit appartement de la reine. 120 m (390 ft) long and 13 m (43 ft) wide, it is an epigone of the Grande Galerie of the Louvre and was intended ...
No fewer than twenty building campaigns have been identified in the history of the Louvre Palace. [21] The architect of the largest such campaign, Hector Lefuel, crisply summarized the identity of the complex by noting: "Le Louvre est un monument qui a vécu" (translatable as "The Louvre is a building that has gone through a lot").
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
The Salon Carré is an iconic room of the Louvre Palace, created in its current dimensions during a reconstruction of that part of the palace following a fire in February 1661. It gave its name to the longstanding tradition of Salon exhibitions of contemporary art in Paris which had its heyday there between 1725 and 1848.
The Louvre is haute couture — it has to be perfect.” Indeed, in Louvre Couture, there are almost no screens, technological interventions, or gravity-defying display cases. The Louvre’s ...
Middle Kingdom art, "known for its gold work and statues", moved from realism to idealization; this is exemplified by the schist statue of Amenemhatankh and the wooden Offering Bearer. The New Kingdom and Coptic Egyptian sections are deep, but the statue of the goddess Nephthys and the limestone depiction of the goddess Hathor demonstrate New ...