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The Colors of Nature: Culture, Identity, and the Natural World is a 2011 book edited by Alison H. Deming and Lauret E. Savoy. The book is a collection of essays from authors representing diverse backgrounds, including Japanese American, Mestizo, African American, Hawaiian, Arab American, Chicano and Native American. [1]
This books concentrates on the origins of American nature writing. Trimble, Stephen, "Words From the Land: Encounters with Natural History Writing". Reno: University of Nevada Press, 1995 (revised edition). ISBN 978-0874172645. This book is a representative collection of essays which goes over the contemporary part of nature writing.
Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants is about botany and the relationship to land in Native American traditions. [1] Kimmerer, who is an enrolled member of the Citizen Potawatomi Nation, writes about her personal experiences working with plants and reuniting with her people's cultural ...
In comparison with other 'political' forms of criticism, there has been relatively little dispute about the moral and philosophical aims of ecocriticism, although its scope has broadened from nature writing, romantic poetry, and canonical literature to take in film, television, theatre, animal stories, architectures, scientific narratives and an extraordinary range of literary texts.
Native American pieces of literature come out of a rich set of oral traditions from before European contact and/or the later adoption of European writing practices. Oral traditions include not only narrative story-telling, but also the songs, chants, and poetry used for rituals and ceremonies.
The nature–culture divide is the notion of a dichotomy between humans and the environment. [1] It is a theoretical foundation of contemporary anthropology that considers whether nature and culture function separately from one another, or if they are in a continuous biotic relationship with each other.
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Writers like Henry James, Gertrude Stein, and poets Ezra Pound, H.D. and T. S. Eliot demonstrate the growth of an international perspective in American literature. American writers had long looked to European models for inspiration, but whereas the literary breakthroughs of the mid-19th century came from finding distinctly American styles and ...