Search results
Results From The WOW.Com Content Network
Nelson's version went to number six on the US pop chart and spent two weeks at number one on the Middle-Road chart in early 1964; [14] this would be Nelson's final single to reach the Top 10 until "Garden Party" in 1972. The Fabulous Echoes – recorded on the B side of "Wait N' See／For You" in 1964 for Diamond Records, Hong Kong (D.210).
"Stinkfist", also referred to as Track #1 due to the perceived offensiveness of the actual title, [3] is a song by American rock band Tool. It is their first industry single and first music video release from their second major label album Ænima .
"Bad Feeling (Oompa Loompa)" is a 2023 alternative rock song released by Jagwar Twin (Roy English) under the Big Loud Rock label. The song utilizes the lyrics and melody from the refrain of the Oompa Loompa songs in the 1971 film Willy Wonka & the Chocolate Factory . [ 4 ]
"H." is a song by American rock band Tool. The song was released as the second single from their second album, Ænima on March 19, 1997. "H." reached number 23 on the US Mainstream Rock Tracks chart. [2] The working title for the song was "Half Empty", and thus "H." most likely stands for that or "Half Full". [3]
In July 2017, in an interview with Joe Rogan, Maynard described his thoughts on the song; "...in a way a song like Lateralus with the Fibonacci thing, I feel like I kind of pulled a very pedestrian, sophomoric move by including those numbers in there because in general music is the Fi ratio. Everything that all nature, all these things we’re ...
The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...
In his review of the album, Billy Dukes of Taste of Country wrote that the song "sets the tone and is especially powerful." [3]Kevin John Coyne of Country Universe gave the song a B−, saying that Urban's voice was "typically sincere", although he called the production "overblown" and criticized the lyrics by saying "the opening reference to his wife and unborn child feel tacked on."
It was the first song that helped establish the band's reputation. [1] The lyrics protest Tipper Gore and censorship, which is a recurring theme in Tool songs. [1] [2] [3]The song was first recorded on a self-titled demo tape variously known as Toolshed and 72826, recorded in mid-1991.