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The “stages of advancement” noted refer to the book's emphasis on double-stop training in first through fifth position. By the time students complete the book, they should be well prepared for double-stop scales, études, and repertoire. Developing Double Stops is divided into seven sections. The first four sections develop sixths, thirds ...
Double stops are commonly used in marching percussion writing. In the case of the snare, a double stop is when a drummer hits the drum with both hands at the same time, while the tenors hit 2 drums at once. These are usually notated with either single note or a stacked note. A double stop will have the letter B written under the note for sticking.
In music, fingering, or on stringed instruments sometimes also called stopping, is the choice of which fingers and hand positions to use when playing certain musical instruments.
Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens.While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities.
A double bar line (or double bar) consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that double bar refers not to a type of bar (i.e., measure), but to a type of bar line.
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The double harmonic major scale [1] is a musical scale with a flattened second and sixth degree. This scale is enharmonic to the Mayamalavagowla raga, Bhairav raga, Byzantine scale, Arabic scale (Hijaz Kar), [1] [2] and Gypsy major scale. [3] It can be likened to a gypsy scale because of the diminished step between the 1st and 2nd degrees.