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Mikhail Mikhailovich Bakhtin (/ b ʌ x ˈ t iː n / bukh-TEEN; Russian: Михаи́л Миха́йлович Бахти́н, IPA: [mʲɪxɐˈil mʲɪˈxajləvʲɪdʑ bɐxˈtʲin]; 16 November [O.S. 4 November] 1895 – 7 March [2] 1975) was a Russian philosopher and literary critic who worked on the philosophy of language, ethics, and literary theory.
[11] [12] The movement has traditionally been considered an influential social reformation in Hinduism, as it provided an individual-focused alternative path to spirituality, regardless of one's birth or gender. [7] Contemporary scholars question whether the Bhakti movement was ever a reform or rebellion of any kind. [13]
[12] Bhakti ideas have inspired many popular texts and saint-poets in India. The Bhagavata Purana, for example, is a Krishna-related text associated with the Bhakti movement in Hinduism. [13] Bhakti is also found in other religions practiced in India, [14] [15] [16] and it has influenced interactions between Christianity and Hinduism in the ...
Dialogue is usually analyzed as some kind of interaction between two monads on the basis of a pre-conceived model. Bakhtin regards this conception as a consequence of 'theoretism'—the tendency, particularly in modern western thought, to understand events according to a pre-existing set of rules to which they conform or structure that they exhibit. [3]
The Dialogic Imagination (full title: The Dialogic Imagination: Four Essays by M. M. Bakhtin) is a book on the nature and development of novelistic prose, comprising four essays by the twentieth century Russian philosopher and literary theorist Mikhail Bakhtin.
The phrase Zaban-e Urdu-e Mualla written in Urdū Lashkari Zaban ("Battalionese language") title in Nastaliq script.. The Urdu movement was a socio-political movement aimed at making Urdu (the standardized register of the Hindustani language), as the universal lingua-franca and symbol of the cultural and political identity of the Muslim communities of the Indian subcontinent during the British ...
[11] Likewise, Professor Afroz Taj states that "the distinction between Hindi and Urdu was chiefly a question of style. A poet could draw upon Urdu's lexical richness to create an aura of elegant sophistication, or could use the simple rustic vocabulary of dialect Hindi to evoke the folk life of the village.
Wali Muhammad Wali (1667–1707), also known as Wali Dakhani, Wali Gujarati, and Wali Aurangabadi, was a classical Urdu poet from India.. He is considered by many scholars to be the father of Urdu poetry, [1] being the first established poet to have composed ghazals in the Urdu language and compiled a divan (a collection of ghazals where the entire alphabet is used at least once as the last ...