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The Call of the Marching Bell (Urdu: بان٘گِ دَرا, Bang-e-Dara; published in 1924) was the first Urdu philosophical poetry book by Muhammad Iqbal. Muhammad Iqbal, then president of the Muslim League in 1930 and address deliverer
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
This is a list of notable Urdu-language writers This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Syed Zamir Jafri (Urdu: سيد ضمير شاه جعفري; January 1, 1916 – May 12, 1999) was a Pakistani poet, writer, social critic, humourist, comedian, columnist, broadcaster and telecaster. [1] He is best known for his Urdu poetry which gained international recognition. [2] [3]
Aab-e hayat (Urdu: آبِ حیات, lit. water of life) is a commentary (or tazkira) on Urdu poetry written by Muhammad Husain Azad in 1880. [1] The book was described as "canon-forming" and "the most often reprinted, and most widely read, Urdu book of the past century." [1] [2] The book is regarded as the first chronological history of Urdu ...
The angel shows her a series of images demonstrating the stupidity of current trends in female celebrities, and the images feature Pink in various roles, including a dancer in a 50 Cent video, a girl attempting to attract the attention of an instructor at the gym but her tracksuit pants get caught in the treadmill, causing them to be ripped off ...
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]