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Inferno is a 2013 mystery thriller novel by American author Dan Brown and the fourth book in his Robert Langdon series, following Angels & Demons, The Da Vinci Code and The Lost Symbol. The book was published on May 14, 2013, ten years after publication of The Da Vinci Code (2003), by Doubleday . [ 1 ]
Daniel Gerhard Brown (born June 22, 1964) is an American author best known for his thriller novels, including the Robert Langdon novels Angels & Demons (2000), The Da Vinci Code (2003), The Lost Symbol (2009), Inferno (2013), Origin (2017) and The secret of secrets (2025) [3].
Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy, followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell , guided by the ancient Roman poet Virgil .
Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [3] Led by his guide, the Roman poet Virgil, Dante enters the first circle of hell in Inferno 's Canto IV. The first circle is Limbo, the resting place of souls who "never sinned" but whose "merit falls far short". [4]
Inferno is based upon the hell described in Dante's Inferno.However, it adds a modern twist to the story. The story is told in the first person by Allen Carpenter (who spelled his name "Carpentier" on his novels), an agnostic science fiction writer who died in a failed attempt to entertain his fans at a science fiction convention party.
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A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
Inferno is an autobiographical novel by August Strindberg.Written in French in 1896–97 at the height of Strindberg's troubles with both censors and women, the book is concerned with Strindberg's life both in and after he lived in Paris, and explores his various obsessions, including alchemy, occultism, and Swedenborgianism, and shows signs of paranoia and neuroticism.