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Weimar culture was the emergence of the arts and sciences that happened in Germany during the Weimar Republic, the latter during that part of the interwar period between Germany's defeat in World War I in 1918 and Hitler's rise to power in 1933.
The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub , the director of the Kunsthalle in Mannheim , who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a ...
The Bauhaus was founded in Weimar in 1919 by Walter Gropius and remained there until 1925 when it moved to Dessau due to political pressure. [4] It was housed in two neighbouring buildings that had previously been two separate art schools, both designed in the Art Nouveau style by Henry van de Velde. These are:
The Weimar Republic era began in the midst of several major movements in the fine arts. German Expressionism had begun before World War I and continued to have a strong influence throughout the 1920s, although artists were increasingly likely to position themselves in opposition to expressionist tendencies as the decade went on.
The student accommodation wing, Bauhaus Dessau building by Walter Gropius (1925–26) The New Objectivity (a translation of the German Neue Sachlichkeit, sometimes also translated as New Sobriety) is a name often given to the Modern architecture that emerged in Europe, primarily German-speaking Europe, in the 1920s and 30s.
The development of modern art at the beginning of the 20th century, albeit with roots going back to the 1860s, denoted a revolutionary divergence from traditional artistic values to ones based on the personal perceptions and feelings of the artists. Under the Weimar government of the 1920s, Germany emerged as a leading center of the avant-garde.
[128] 1920s Berlin was at the hectic center of the Weimar culture. Although not part of Germany, German-speaking Austria, and particularly Vienna, is often included as part of Weimar culture. [129] Bauhaus was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. Its goal of unifying art, craft, and ...
[2] 1920s Berlin was at the hectic center of the Weimar culture. Although not part of Germany, German-speaking Austria, and particularly Vienna, is often included as part of Weimar culture. [3] Bauhaus was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. Its goal of unifying art, craft, and technology ...