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Left upon a Seat in a Yew-tree, which stands near the Lake of Esthwaite, on a desolate part of the shore, commanding a beautiful prospect. "Nay, Traveller! rest. This lonely Yew-tree stands" Poems of Sentiment and Reflection.(1815–43); Poems written in Youth(1845) 1798 The Reverie of Poor Susan 1797
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In the fourth stanza, the tree is a girl with jewels (a nest of robins) in her hair; and in the fifth, it is a chaste woman living alone with nature and with God. There is no warrant in the poem to say that it is different trees that remind the poet of these different types of people. [22]
Cad Goddeu (Middle Welsh: Kat Godeu, English: The Battle of the Trees) is a medieval Welsh poem preserved in the 14th-century manuscript known as the Book of Taliesin. The poem refers to a traditional story in which the legendary enchanter Gwydion animates the trees of the forest to fight as his army.
In writing this poem, Frost was inspired by his childhood experience with swinging on birches, which was a popular game for children in rural areas of New England during the time. Frost's own children were avid "birch swingers", as demonstrated by a selection from his daughter Lesley's journal: "On the way home, i climbed up a high birch and ...
During World War II Hesketh worked as the woman's page editor of the Bolton Evening News. In 1948 she published her second volume of poetry, Lean Forward, Spring! , (London: Sidgwick and Jackson), which earned her widespread acclaim amongst the literary community, including from Siegfried Sassoon .
The poem describes a local blacksmith and his daily life. The blacksmith serves as a role model who balances his job with the role he plays with his family and community. Years after its publication, a tree mentioned in the poem was cut down and part of it was made into an armchair which was then presented to Longfellow by local schoolchildren.
DeGout states, however, that Angelou's poems have levels of meaning, and that poems in the volume's first section present the themes of racism, women's power, and liberation more subtly. DeGout views "A Zorro Man" as an example of Angelou's ability to translate her personal experience into political discourse and the textured liberation she ...